Wandering On Thin Surfaces
Wandering On Thin Surfaces, 2021, installation view
Wandering On Thin Surfaces, 2021, installation view
Wandering On Thin Surfaces, 2021, 35 mm film printed on fujicolor crystal archive DPII 10 x 15 cm, correction fluid, marker pen, tape, typewriting on A4 paper 80 gr 210 x 297 mm, seventy works on paper, unique, six metal prints 50 x 70 cm
It Was Day And I Was Thinking About Night, 2021, 4K video, color, sound, 4 minutes 19 seconds, cardboard box, tapes, tire-up, dimensions variable
Transparent Love Letters, 2021, detail, mixed media, six works on paper 1 x 78,8 cm each
Digital Existence, 2021, still photograph, monitor 40" x2, cardboard box, tapes, tire-up, dimensions variable: The title originates from Olivia Laing's exploration of loneliness and technology in 'Funny Weather' (2020)
Wandering On Thin Surfaces
Degree Show at the Athens School Of Fine Arts, Kessanlis Hall, 2021
In the randomness of everyday life, we often look through something else. Through distinct and concrete boundaries of things that become the tools for us to think or feel. Τhe mediated visual relations that emerge seem to contradict the simplicity of a free and direct wandering gaze, which reveals to us an inner intensity of emotions arising from the very common and human feeling of loneliness. In his book “Letters To A Young Poet”, Rainer Maria Rilke records the emotions that remain clear and unspoken, that converse with intuitive thinking and are cultivated by our relationship with nature. That kind of loneliness is essential to Rilke, like a dream refuge that preserves our earthly elements.
The installation ‘Wandering On Thin Surfaces’ consists of an archive of letters, sketches, photographs and a video, investigating the abstract properties of reality that get involved in the process of writing a love letter. It's a poetic narrative of a character who explores the ways erotic speech is shaping in her era, where screen relationships affect the human ones. On these small and large surfaces of things, colors look different and touching seems like secret cryptic pauses. As the French philosopher, critic and art curator Nicolas Bourriaud has stated: “Our age is undoubtedly the age of the screen. In addition, it is strange that the exact word is used to describe at the same time a surface that collects light (in cinema), and an interface on which information is recorded. Interface is the thin surface (usually transparent) that separates an entity from its environment or two entities.”
The relations between the material and the intangible, the real and the dreamlike, the analogue and the digital are explored in the pieces of this installation. Aerial words marked with indelible colors, reflections on screens, car windows, mirrors and cell phones. But there are also blooming or dried flowers, streets that are full of water when it rains and gradient colors at sunset. Abstract thoughts that are not always said or communicated in the right time. All these qualities signify as well the sensitivities that sometimes come to a rupture with reality. Along with the materiality of error that comes accidentally to analogue mediums, something true may survive. Within the increasing speed of the digital world, in a period of absolute “visibility” it is almost like walking between thin, transparent surfaces and trying to see as they would see. In spaces that float and in the relationships we create with them but also, them with us.
Project text by Eva Anerrapsi
Photos by Neslechanidis Stratos
Duration: 6-9/10/2021